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Sinopsis(en Inglés)

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A selection of critical texts by Germaine Derbecq (Paris 1899 - Buenos Aires 1973). Derbecq arrived in Buenos Aires in the early 1950's to become a key figure in an artistic field immersed in a furious modernization process. From her place as critic, or known today as curator, she promoted a renewal of the local aesthetic standards. In 1922 she married the Argentine sculptor Pablo Curatella Manes with whom she had a son. In 1951 they settled permanently in Buenos Aires and two years later she began her work as an art critic in the newspaper Le Quotidien, a profession that she would keep for almost twenty years. Between 1960 and 1963 she was curator and director of the Lirolay Gallery,she later collaborated with the Guernica Gallery. She was a jury of prestigious awards, including the Premio Braque organized by the French Embassy in Argentina. In 1970, together with Silvia de Ambrosini, Odile Barón Supervielle and Lidy Prati, they founded the magazine Artinf. The book comprises 24 texts by Derbecq. In her critical articles, originally published in "Le quotidien" and "Artinf"," she defends abstract art and argues with its detractors; proposes the construction of a museum of modern art in Buenos Aires in 1953, which she imagines as "the city of art of South America"; explores the difference between "trade" and "technical" in the development of artistic work; and explains the historical relevance of informal art, among other topics. The volume also includes curatorial texts written for exhibitions.