Vínculos artísticos entre España y el Perú (1892-1929)

Sinopsis(en Inglés)

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The book deals with the Spanish and Peruvian artistic interchanges and relationships between 1892 to 1929 in the search for a national identity. Seeks to understand the process of modernization in Peruvian art during the first three decades of the 20th century through moments like modernity, avant-garde and imaginaries of identity in Peruvian painting and sculpture. Analyzes the trajectory of important painters such as: Carlos Baca Flor, Daniel Hernández, Teófilo Castillo, José Sabogal, Domingo Pantigoso, Carlos Quizpez Asín, César Moro and the almost unknown Isabel Morales Macedo. In the field of sculpture analyzes Hispanic artists, linked with Peruvian art whose presence is visible in the public monuments of Lima, such is the case of Agustín Querol or Mariano Benlliure, or the significant presence of Manuel Piqueras Cotolí as Professor of sculpture of the newly founded School of Fine Arts. The text ends with the Peruvian Pavilion at the Ibero-American Exhibition in Seville (1929).