Cartografias regionales en America Latina.

Sinopsis(en Inglés)

No tenemos la sinopsis en tu idioma: se muestra la de la edición original.

"Regional Cartographies in Latin America" examines the paradigmatic transformation of Latin American national cultures in the context of globalization. I show how economic integration in the Southern Cone has led to a revitalized Latin Americanism that is contributing to a growing cultural hegemony in favour of a community of nations. I contend that contemporary literature critically engages the notion of regional community in an effort to show the epistemological gaps in its discursive construction and advance alternate forms of being-in-common.This work is an effort to reveal and examine the epistemological range of the discourses of integration and the role of contemporary literature in debating these historical transformations.My methodology combines a critical study of the discourses of integration with a close textual analysis of contemporary literature. I study how public discourses, the literary and philosophical essay, disciplines in the humanities as well as cultural artifacts such as art exhibitions, television and official ceremonies imagine the regional community. I have purposefully chosen to foreground the vanguard's cartographic experimentations (Xul Solar, Torres Garcia) and the prolific usage of maps of the continent in contemporary art and regional discourses to draw attention to the central role of cartography in the new regional imaginings. I use this notion of a regional cartography as a productive metaphor to describe the discursive construction of a supranational community.Through a study of Los conjurados del Quilombo del Gran Chaco (2001) by Augusto Roa Bastos et al; Avante, soldados: para tras (1992) by Deonisio da Silva; Tres muescas en mi carabina (2002) by Carlos Maria Dominguez; Fronteras de Umbria (2002) by Rafael Courtoisie, I demonstrate how literature debates this increasingly hegemonic vision of integration and how it questions its own historical engagement with political projects through: (a) the elaboration of postnational literary manifestos; (b) the questioning of the role of the intellectual; (c) the introduction of a marginal textual demography and space; (d) the rewriting of foundational texts and national historiographies from multiple national traditions; and (e) the dialogic confrontation of various national imaginaries with the ultimate purpose of debating a new regional cartography.