
Zombies! Zombies! Zombies!
Otto Penzler, W. B. Seabrook, David A. Riley, Hugh B. Cave, Chet Williamson, Arthur Leo Zagat, Lisa Tuttle, Karen Haber, Michael Marshall Smith, Vivian Meik, Guy de Maupassant, Steve Rasnic Tem, Dale Bailey, Henry Kuttner, Edgar Allan Poe, Yvonne Navarro, Charles Birkin, Geoffrey A. Landis, Graham Masterton, Jack Darcy, H.P. Lovecraft, Robert Bloch, Kevin J. Anderson, Richard Laymon, Sheridan Le Fanu, Thorp McClusky, Mary A. Turzillo, Mort Castle, Henry S. Whitehead, Peter Berresford Ellis, Thomas Burke, Anthony Boucher, Gahan Wilson, Ramsey Campbell, R. Chetwynd-Hayes, Seabury Quinn, Francis Marion Crawford, Ralston Shields, Harlan Ellison, Robert Silverberg, John H. Knox, Uel Key, Theodore Sturgeon, Day Keene, Kilworth, Garry, Edith Jacobson, Ejler Jacobson, Richard Matheson, Christian Matheson, Michael Swanwick, Manly Wade Wellman, Robert McCammon, Joe R. Lansdale, Robert E. Howard, Scott Edelman, August Derleth, Mark Schorer, Stephen King, Arthur J Burks, Theodore Roscoe
Serie o saga: Vintage crime/Black Lizard original
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Sinopsis(en Inglés)
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"Zombies ain't what they used to be. Not so long ago, they were safely ensconced on Haiti so the rest of the world could merely scoff at the bizarre myth of the living dead on one relatively small Caribbean island. Well, they have proliferated at an alarming rate, invading the rest of the world, and it seems unlikely that they have any intention of going away anytime soon. W.B. Seabrook, in his 1929 book, The Magic Island, recounted "true" tales of voodoo magic on Haiti bringing the recently dead back to life as slow-moving, virtually brain-dead creatures who would work tirelessly in the fields without pay and without complaint. These stories introduced the zombie to much of the world, though most national folklores have similar tales and legends. A decade after Seabrook's groundbreaking volume, Zora Neale Hurston researched Haitian folklore and told similar stories of eyewitness accounts of zombies, as have subsequent anthropologists, sociologists, and others not prone to imaginative fancies. If zombie literature began with the reportage of Seabrook, it had powerful ancestral works on which to draw"--
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